Zulu Hut Why They Are Built That Way

A journey and a style atypical
December 2003

by Denise Pelletier

(DP) - The painter Thérèse Fortin returned to live in his hometown after several years in Quebec. Just before leaving Quebec, she has completed a project of exceptional scale, an enormous triptych painted with the participation of 1500 people, mark the fifth anniversary of the Commission scolaire de la Capitale.
This was done last August, under a huge tent, eight people have helped Therese Fortin blends of colors and spatulas on tables and distribute them to members, officers and employees of the school board to they can put spots on the large canvas, 15 feet by six feet at their disposal.
Therese Fortin then worked for six days to identify, among these spots, patterns, themes, characters. From her observations, she reworked the canvas in order to identify three topics: a saxophonist, a student in carpentry and a soccer player, themes that illustrate well the diversity of student activities. She then removed her canvas into three separate tables, and the triptych is now on display at the registered office of the school board of the Capital.

Therese Fortin became a specialist in the creation of collective works by the same method. She conducted a Chicoutimi a year ago and a half, with a group of women invited by AFEAS Our Lady of Grace, and another at the Chateau Frontenac with 400 participants. In its creation
personal, it shall follow the same technique she called emergy, which is to paint spots first spontaneously, then in its subsequent emergence of a figurative subject, adding features, highlighting some forms and reducing others. She works with oil and spoon in shades of yellow, orange, red, brown, projecting drops of color on certain sections of the canvas to create a motion effect.
Therese Fortin continues to produce in the studio located just in front of the house she now lives in River Eternity. After a career in the communications field, she returned to painting, an art she loves since childhood, there fifteen years and devoted himself full time.

U.S.
Curiously, the United States, more than in Quebec, his works found buyers. In particular, the Joy Gallery Key West, Florida, who has represented his participation in 1997, Art Festival of the place. Therese Fortin had his best year in 2001, selling more than forty paintings. Among others, one of his works, entitled "Champagne" where one sees a young woman sitting near a table on which is placed a glass of champagne ("my best canvas," says the artist) has been bought by a New York lawyer to (it is among others the Counsel for the Metropolitan Opera) who installed it in his office. Subsequently, the latter, who did not know her, sent her an email asking "where one could find in New York" and learning that she was not there, told him that it absolutely had to visit the Big Apple.
Besides, she will, and will travel to Chicago and New York to meet with collectors and potential agents, after which she will return to Key West for the opening of a new exhibition in March 2004. It will also exhibit at the Galerie Horizon Sorel Tracy, from February 8 to 28, an offer which was received by Internet.
However, a consequence of the attacks of September 11, 2001 in New York, the art market has become very difficult: Americans and tourists from abroad have virtually stopped traveling, and suddenly Key West does was more a desired destination, "says Therese Fortin, who has suffered for two years from the effects of this situation, which slowly begins to recover. In Quebec, she sells quite a few paintings, "My art is unusual, it may be too out of the box," she says.

Breasts Blood Vessels

Adrienne Therese Fortin Luce

The symbolism of wolves
December 2003 (performance)

by Denise Pelletier
(DP) - Among the performances included in the conference program geopoetic, art and memory of the land , that of Adrienne Luce, particularly fascinating, is a fine example of design by Kenneth White in the convergence between the earth, nature and man. The artist, born in Gaspe and installed Chicoutimi where she is pursuing a master's degree in art UQAC, worked on the interaction between humans and animals. Her performance began inside the gallery, a video projection. The artist then imitated the howl of the wolf, which met his little dog named Chip. Then she walked outside, near the Arts Building, where the waiting Rebel, the wolf holding a leash and closely supervised by his master, Yves Huot.
The artist then buried under snow bread topped with sardines (the favorite food of Rebel): the wolf, free from obstacles and attracted by the smell, having approached her, Adrienne Luce ate slices of bread along with the animal. Then it spread the floor and placed his hands on his chest and forehead, pieces of red meat that the wolf was carefully picked with its mouth to devour them.
This performance is part of a wolf research that leads Adrienne Luce past few years. The act of burying food, as does the alpha female of the pack to teach little ones to find, takes symbolic value: that of mother-child relationship through the food, the the table as a gathering place. The captivity in which he is held Rebel reminds one that retains the workers at the plant. Finally she sees in her performance, she must show great humility before the wolf, a gesture of repair the rift between man and beast, born of prejudice that have occurred over the centuries on the Wolf, considered a dangerous predator, inherently evil. Adrienne
Luce said he developed a strong attachment to the Saguenay-Lac-Saint-Jean, which allows him to develop his practice in situ on art and nature, and pursue reflection on the coast which is the subject of his thesis.

Implantation Bleeding Vs Yeast Infection

Elmyna

Winner of the Monique and Robert Parizeau
November 2003

by Denise Pelletier

(DP) - Elmyna Bouchard, an artist originally from Lac-Saint-Jean who works in the field of printmaking, is the winner of the 2003 Prix de la Fondation Monique et Robert Parizeau. Launched in 2002 in partnership with the National Museum of Fine Arts of Quebec, invited competition aims to provide support to artists working in the field of printmaking in Quebec. Contest 2003 invite artists under forty years old with a solid path.
Foundation Monique and Robert Parizeau Bouchard Elmyna delivered to an amount of $ 50 000, distributed as follows: a grant of $ 20 000 from the National Museum of Fine Arts of Quebec, a sum of 15,000 U.S. dollars intended for the purchase of prints from the winner by the museum's acquisition committee, and an amount of $ 15 000 for the Museum to produce a book on the work of the winner, published in French, with translations in English and English.
The launch of the publication on the work of Ludmila Armata, first winner of the Prix de la Fondation Monique et Robert Parizeau in 2002, was also performed at the awards ceremony 2003.
Born in 1965 at Holy Heart of Mary, Elmyna Bouchard received a Bachelor of Arts at the University of Quebec at Chicoutimi. Winner of the Biennial of drawing, printmaking and paper Quebec (Alma, 2001), the International Biennial of contemporary printmaking Trois-Rivières (2001) and printmaking competition Loto-Quebec (2000), she has to her credit many solo exhibitions, including most recently "From time to self II" at Galerie Madeleine Lacerte in Quebec and "Prints", Galerie La Digue in Marseille. She also participated in numerous exhibitions in Canada and Europe, and many of his works are in numerous collections such as the National Museum of Fine Arts of Quebec, Loto-Quebec, Alcan. She now lives in Montreal.
With his most recent Elmyna Bouchard holds - as explained in art historian Hedwig Asselin in 2001 - "memories of his childhood in a small way, with signs of great simplicity . Without apparent order, the objects hover in the air, absolutely free (and) plan to a sense of passage of time and personal history of a place. "
Elmyna Bouchard also demonstrated great technical expertise, employing as many as three different techniques of printmaking to a single work.

Brown With Purple Highlights

Richard Bouchard Déraps

humor applied to serious subjects


September 2003 by Denise Pelletier

(DP) - The states of humor rather than emotional: this is what Richard Déraps wants to convey through his illustrations populated by grotesque or wacky. Through his drawings often garish colors, accented with objects glued or juxtaposed such as winks accomplices, he delivers his sarcastic comments on various topics of interest or concern.
subjects of reflection, the professor in advertising program Art and Media Technology at the Cégep de Jonquière not lacking. And he wants to address all these issues, even the most serious in a humorous angle. The humor is his guidance, his views on man and his contradictions on the tragedies of the world and the quirks of everyday life. It could be, in some cases, a breastplate, a defense system against the aberrations of history and society.
the Arts Centre and culture of Chicoutimi, Richard Déraps us do the "tour of" this exhibition he presents until 28 September. It is divided into two parts: one part of the promotional posters of the Book Fair in Saguenay-Lac-Saint-Jean and the competition player, reader of the year, conducted between 1995 and 2001. In this case, the comic effect is obtained by taking the subject at face value.

other hand, Richard Déraps presents 26 original illustrations drawn over the last ten years, more oriented towards sarcasm and black humor. Many are fortified with collages scenic elements in three dimensions, and even graffiti written directly on the wall of the showroom. For example, real badminton accompany the drawing titled "Jesus Judas 16-3" and real small Christmas lights illuminate the drawing titled "Red Nose." His "zebra Lancelot is a knight riding a zebra and whose lance is a pencil. "The red button is strapped with a protection system like those found in museums. Additional guarantee of safety: four real mouse traps, attached to the four corners of the frame! In "The little smoke" an adult's hand shakes a cigarette ash over the head of a child. "Hijacking" is set to "Provisouère" the thief is a child who orders the cashier: "Envoy cash, an 8 / 49, two honeymoons, worse way to tell my mother!" A recipe "Roast pork with yellow orange bed roll," an illustration of a stay Olach (Old Orchard), a frog who eats books: all examples hung by the artist in this thread that is essential for him humor. Richard
Déraps designs colorful characters, bizarre, with members or parts body borrowed from other animals or objects (heroes who have books in place of the head, for example, or the man who flies a language extension to swallow a fly). Edentulous or otherwise "full of teeth, fortunate in red tongues, sharp, dressed in a pale skin, wrinkled like a plucked chicken," My little men are not beautiful, "also recognizes the artist willingly but according to him, their very strangeness is likely to render endearing.
BD and freedom
The design is a space of freedom where Richard let Déraps free rein to creativity. The original idea is often born of a word or combination of words: the written text, either a title or registration in the same drawing, plays an important role in its creation as advertising. Then he likes to explore this word, this idea, using simple techniques and varied colored pencils, wax, felt, pastel, airbrush, collage. And computer graphics, usually reserved for touch. His works
colorful and disparate course similar to comics, he is a loyal reader. He said he was at school "the Category-a-brac, the French cartoonist Marcel Gotlib" That's my kind of humor. " He loved the Croc review at the time, and appreciates the art of illustrator Vittorio, who designed such that little guy's Green Festival Juste pour rire. He also admires the style of the painter Arthur Villeneuve, close enough to the comic in some aspects.